Date of Award

5-1-1992

Document Type

Research Paper

Abstract

This project focuses on Catharsis, the Aristotelian function of tragedy, this study asserts that Aristotelian catharsis is one that works simultaneously with the emotions and the intellect to achieve its effect. This paper argues that this system is more effective theatrically than the various other theories. This paper’s intent is to further interpret Aristotle's meaning of “catharsis” and prove its validity in comparison to other views on the function of theatre and/or tragedy. This project is split into sections, the first being its thesis which essentially states “catharsis cannot separate the emotions and the intellect.” The next section covers the supremacy of catharsis in which “Aristotelian” rules should be second to catharsis since it originates from Aristotle himself. The next chapter covers the popular interpretations of catharsis that focuses on its true definition. In the next section titled “The Proper Interpretation of Catharsis” the author shows all previously explained theories are non-Aristotelian, and highlights the real Aristotelian catharsis known as the “clarification theory.” The next section details the relationship between catharsis and the Nietzschean Link which includes works and studies of Nietzsche. This project’s final section includes modern efforts to include catharsis and some failures.

Download

Share

COinS